Sebastiano del Piombo

1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.


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Sebastiano del Piombo La Visitation oil


La Visitation
Painting ID::  30978
La Visitation
mk70 Bois transpose sur toile H.1.68 L.1.32 Paris,Musee du Louvre
   
   
     

Sebastiano del Piombo Recreation by our Gallery oil


Recreation by our Gallery
Painting ID::  32548
Recreation by our Gallery
mk79
mk79
   
   
     

Sebastiano del Piombo Christ Carrying the Cross oil


Christ Carrying the Cross
Painting ID::  32618
Christ Carrying the Cross
1535-40 Oil on slate, 157 x 118 cm
1535-40 Oil_on_slate,_157_x_118_cm
   
   
     

Sebastiano del Piombo San Giovanni Crisostomo and Saints oil


San Giovanni Crisostomo and Saints
Painting ID::  32620
San Giovanni Crisostomo and Saints
c. 1509 Oil on canvas, 200 x 156 cm
c._1509 Oil_on_canvas,_200_x_156_cm
   
   
     

Sebastiano del Piombo Portrait of Antonio Cardinal Pallavicini oil


Portrait of Antonio Cardinal Pallavicini
Painting ID::  32624
Portrait of Antonio Cardinal Pallavicini
Oil on canvas
Oil_on_canvas
   
   
     

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     Sebastiano del Piombo
     1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.

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